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| Metamorphosis | ||||
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| Studio album by Hilary Duff | ||||
| Released | August 26, 2003 (2003-08-26) | |||
| Recorded | January – June six, 2003[1] | |||
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| Length | 43:07 | |||
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| Hilary Duff chronology | ||||
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| Singles from Metamorphosis | ||||
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| Alternative embrace | ||||
 European edition cover | ||||
Metamorphosis is the second studio anthology past American actress and singer Hilary Duff. The album was released on August 26, 2003, past Hollywood Records as the follow-upwards to her debut studio album and commencement Christmas album Santa Claus Lane (2002). According to Duff, the anthology incorporates elements of pop and stone music, and it represents changes that are specific to her life and that everyone experiences. Duff worked with several producers on the album such as The Matrix.[three] Others who collaborated on the album include Chico Bennett, Matthew Gerrard, John Shanks and Kara DioGuardi.
The anthology coincided with other loftier-profile projects in which she was involved in other media. Metamorphosis received mixed reviews from music critics; some complimented it for being a modernistic-day bubblegum anthology, while others considered the album to exist a promotional gimmick for Duff, lacking real substance. The album debuted at number two on the US Billboard 200, selling 203,000 copies in its first week, becoming the highest opening calendar week sales figure for a debut album by a female artist in 2003. In the following week, the album rose to number i on the chart. Information technology became the eighth acknowledged album of 2003 in the US, according to Nielsen SoundScan, selling ii.6 million copies in a flow of five months. By tardily 2005, the album had sold five million copies worldwide. For Hollywood Records, Metamorphosis was the characterization'due south starting time high-seller in several years and led to the company's further successful cultivation of new artists and brands using the Disney Channel. She was the sixth solo artist to chart on the Billboard 200 nether the historic period of 18.[4]
Iii singles were released from the album. The atomic number 82 unmarried, "So Yesterday", was released in July 2003 to mixed reviews. The vocal failed to make much of an affect in the U.s., peaking in the meridian 50. Internationally, it peaked within the superlative-ten of the music charts in Australia, Canada, France and the United Kingdom. The second single, "Come Clean", released in early on 2004, was more successful in the Us, peaking at number 35 on the United states of america Billboard Hot 100 and becoming her best-selling single in the country. The tertiary and final unmarried from the album, "Little Phonation", was simply released in Australia. Duff further promoted the anthology with the Metamorphosis Bout, which began in November and ended in December 2003.
Background [edit]
Hilary Duff had always wanted to follow in the footsteps of her elder sister, Haylie. Duff watched her sis rehearsing in 2001, afterwards which she told her mother that she wanted to exist involved in singing.[5] During the same time period, she attended a Radio Disney concert where she met Andre Recke, whose client Myra was performing. According to Duff, watching the pop musicians preparing and warming up backstage at the concert made her think, "I want to do this so bad".[6] Recke said he thought Duff, who was popular with preteens at the time considering of her role in the popular Disney Aqueduct original series Lizzie McGuire, had "something special ... Sometimes you only have that feeling, that, 'Wow, she's a star.'"[6] Afterwards becoming adamant to start a music career, Duff resumed her vocal lessons—which she had started before her acting career began—and became one of Recke'south clients. "I've always had a big drive", she said. "When I felt like something looked fun or I wanted to accomplish something, I actually just become for it ... I didn't really know what information technology was gonna be similar, but I knew I wanted to effort information technology and I knew that I could practise it."[7] Duff recorded several songs for Disney soundtrack and compilation albums, and a Christmas album, Santa Claus Lane, in 2002. Her songs "I Can't Look", "Why Not" and "What Dreams Are Fabricated Of" were hits on Radio Disney, only Recke and executives at Buena Vista Music Group envisioned Metamorphosis every bit a vehicle by which Duff could achieve a more mature audition.[6]
Recording [edit]
Duff, her mother Susan, and Recke enlisted the songwriting and product squad The Matrix—whom Recke had previously hired to write songs for Myra's 2001 eponymous debut album—and songwriter Charlie Midnight, who had contributed to Santa Claus Lane (2002). According to Duff, her mother, Recke and Duff herself worked very difficult to get music that she related to and was age-appropriate for her.[half dozen] Duff said that she did not want to make "a really poppy album" because that was not the type of music she listened to.[5] The presence of The Matrix was noted because of their work on Avril Lavigne's highly successful debut album, Let Get (2002), but Duff said that she did not want to emulate other artists: "There are definitely people I respect and I love their music, only at that place was never really an artist that I said, 'I desire to be just like them...' ... I wanted to be like myself".[half dozen]
Co-ordinate to Duff, although she did not write about of the songs, she collaborated on each of them.[viii] Aside from The Matrix and Charlie Midnight, contributions to the album came from singer-songwriter Meredith Brooks, Kara DioGuardi, Matthew Gerrard, John Shanks and Duff's sister, Haylie, who Duff said knows her amend than "anyone else in the world".[9] Duff discussed her feelings with some of the songwriters, and she praised them because they were open to her opinions and "actually got it".[9] She said that she would have liked more time to work with the songwriters and co-write more than of her ain material, saying "I feel like you need time to really get in bear on with yourself to do that".[6] In May 2004, Meredith Brooks, writer and producer of "Party Up", complained about the 1000000-dollar budgets major labels spend to produce albums, saying "There'southward something seriously wrong with all that! You tin't go on that going. Artists have to sell millions of records for anybody to brand money off of those bloated budgets."[x]
Product [edit]
Influences and sound [edit]
As Duff was really into Destiny'southward Child at the time, initial work on the anthology carried a more than "urban mode" than the finished project.[2] The work, co-ordinate to Chico Bennett, "didn't strike a chord", and then they went for a different arroyo.[2] Recke asked Duff what type of music she would like to do, to which she responded: "Well, growing upward, we listened to a lot of rock music, and I similar a little bit more guitar in it."[2] Then they decided to go about the record with a "real ring vibe".[ii] According to Recke, the album is however popular, but with a "fiddling rockier edge to information technology".[2] They wanted to do something that would fit Duff's personality and "something that she wanted to be".[2] Recke fabricated sure that the music was what Duff wanted, equally there'south "nothing worse than an artist non excited to perform it".[2]
Recke, Landers and Duff wanted to make "not just a record that might appeal to an audience considering of her telly popularity", simply they wanted to create a "actually fun, great pop record that Hilary could get backside personally".[2] According to Recke, the songs on the album were all "molded around" Duff. He cited this every bit the reason why the album "feels and then authentic".[two] According to Midnight, the album does not contain "merely a agglomeration of different songs that don't have annihilation to do with the others. When yous wait at the overall roster of songs, they all do fit into a certain context."[two] Of the procedure, Midnight explained:
Considering how young she was, I thought that was interesting, that information technology wouldn't be a complete fabrication, because I'm used to working with very strong artists, strong personalities. After I got to know Hilary and nosotros hung out, I saw that she had real points of view and was going to be real involved, which makes information technology easier to actually create the music—coming from somewhere, from a personality, from a point of view, rather than created out of whole material. So that excited me. Hilary had so much personality that she was able to convey on a recording.
Contributors [edit]
"I always chose my music, but non actually being an artist yet, I wasn't a big writer. I didn't have a ton of ideas going into information technology. I call up I was really in touch with the subject matter and content. I would modify things here or there. Everybody loves to say they simply cranked me out like I was simply a production or whatever, merely if there was some song that one of the A&R guys loved only I didn't love it, they didn't make me record it."
—Duff on the production process for Metamorphosis
As she was not familiar with the process of creating an anthology, Duff met with many unlike tape producers. She sabbatum down with each of them and told them what she enjoyed listening to. In some instances, Duff would go into detail near events in her personal life that could be used for inspiration in a vocal.[2] While Recke and Landers were in accuse of looking for the "right songs" for the album, Duff was also heavily involved in the song option and in "making certain the lyrics were where she was at that historic period".[ii]
Kara DioGuardi, who had long outgrown Disney, thus making her unaware of who Duff was, was told by an acquaintance of hers who worked at EMI that she should meet up with Recke. DioGuardi told her friend that she was "on a tight schedule", but later decided that she'd "attempt it".[2] During their initial meeting, DioGuardi played Recke several songs that she had written. Later on hearing the choice, he immediately told her that he wanted "Come up Make clean" and "Lilliputian Voice" for Duff, proverb that they were perfect for her.[2]
Having liked the chemistry betwixt Charlie Midnight, Recke and Duff on Santa Claus Lane, Landers asked Midnight to provide fabric for Metamorphosis. He submitted "quite a few songs" for the anthology considering he loved working with Duff.[ii] He concentrated on trying to "bounce things" off Recke, Landers and Duff about "what topics they thought would be right" for the album.[2] Midnight was "pretty much ground zero" for a lot of people involved with Metamorphosis, according to Charlton Pettus; he was the lyricist who "seemed to become the tone of it all".[two]
Pettus accounted his involved in the project as being "completely adventitious"; he had just moved from New Jersey to Los Angeles and was introduced to Midnight through their mutual friend Marc Swersky. The 3 wrote several songs together with no particular artist in mind. One song in particular, "Workin' Information technology Out", was given to Duff for Metamorphosis.[2] Similarly, Midnight had written "Love Merely Is" with Jim Marr and Wendy Page without "necessarily thinking of Hilary at offset".[2] After insisting that Duff should tape it, Recke played the song for her and she "absolutely loved it".[ii]
The Matrix, a record production team consisting of Lauren Christy, Graham Edwards and Scott Spock had "just come off the back of a very successful little run" with three number one hits with Avril Lavigne when Disney approached them and asked if they would exist interested in writing for Duff. They agreed and called Midnight, who had already been involved in the projection. Christy cited him equally one of her favorite writers and her mentor. Being familiar with their work, meeting with The Matrix was "very exciting" for Duff. Upon hearing the demos for "So Yesterday", "Where Did I Get Correct?" and "The Math" – performed by Christy – Hollywood Records "immediately loved them".[two]
Writing [edit]
During the production of Metamorphosis, Duff's life had been changing "then fast and so quickly". Songwriter Kara DioGuardi (left) helped Duff find her "voice", while her sis Haylie (right) acted equally a "specific condolement place".[two]
DioGuardi wrote "Come up Clean" with John Shanks as a "personal statement" to herself.[2] At the time, she had only finished piece of work on Marc Anthony's 6th studio album, Mended (2002), and was "really, really bromidic writing to tracks".[2] DioGuardi felt equally if it was "very binding", equally "the melodies had to be within the constraints of what was going on in the tracks".[2] Co-ordinate to DioGuardi, the song was "kind of this statement for [herself]", equally she was "getting away from all of that" and "going to go back to the way it should be washed in music".[two] "Little Vocalism" was written by DioGuardi and Patrik Berger for Swedish singer Sahlene.[2]
After Recke chose the songs, DioGuardi had the chore of rewriting some of the song's lyrics to make them more appropriate for Duff's demographic. According to Recke: "Kara got [it]. It morphed into this actually absurd artistic relationship that Hilary and Kara developed. What I e'er loved about Kara was she wrote like an creative person, not as a typical songwriter. I think that's what really connected with Hilary." Duff herself credits DioGuardi as helping her detect her "vocalisation".[2]
Duff loved the recording process of "Come up Clean", having a "proficient fourth dimension" in the studio with Shanks, who produced the song. According to Duff, he was "actually, actually, really neat" nearly making her experience comfortable in the studio.[2] DioGuardi's idea for the vocals on "Little Voice" were "very, very character—it was one of those songs that's more almost the grapheme of the song equally opposed to beingness a more than straight-to-the-heart kind of vocal performance". According to Bennett, the song'south producer, "information technology was kind of an acting job every bit opposed to a more than traditional arroyo" for Duff.[2]
"Inner Strength" was an "crawly experience" for Duff, as it was the first fourth dimension that she and her sister Haylie wrote together. Writing with Haylie was a "specific condolement place" for her at the time, every bit her life had been changing "and so fast and then quickly". According to Duff, "information technology was kind of scary and a lot of times I felt alone or criticized".[2] Haylie used to write a lot of verse and when she was 16 she wrote a poem most sweetness xvi. She read it for my family and Duff suggested that they make it into a vocal, which became "Sweet Sixteen".[two]
Christy found writing the songs for Duff as "really fun and easy".[2] The Matrix had just completed their piece of work with Avril Lavigne on her debut studio album, Allow Become (2002) at the time, so they were "in that zone".[2] The Matrix knew that they had a striking on their hands every bit soon as they began working on "So Yesterday".[2] When Duff heard the song for the offset time, she was very unsure nigh it. Despite her reluctance to do the vocal, she recorded it and once Hollywood Records heard it, "everybody started sort of freaking out".[2] She afterward recalled, in August 2013, that it was not one of her favorite songs, merely that it "definitely grew on [her]".[2] Christy recalled the process of working with Duff as being "as well easy".[2] She cited Duff equally "simply a professional" and that the one thing that she remembers the most from working on Metamorphosis was that Duff is a "real worker".[2] According to Christy, "Where Did I Get Right?" and "So Yesterday" are amongst her favorite songs that she has e'er written.[2]
Every bit she had already worked with Midnight in the past, he already knew what "she wanted to talk about and what she was going through at that time".[2] For "Metamorphosis", Bennett, Midnight and Duff had discussions about "all these changes that were going on" in her life. Bennett wrote the track and then got together with Midnight to etch the lyrics and the tune.[ii] Duff had only a couple of days to record the vocals for "Metamorphosis", as she was likewise working on a film at the time. As Bennett was putting the song together he realized that he had a "different spin on the melody", so Duff went back into the studio to "lay down a dissimilar melody" for the chorus at the final minute. Duff's "really strong work ethic" greatly impressed Bennett.[two]
Music and lyrics [edit]
Duff described the album as "pop music [that] has some more stone and edginess to it";[5] she said the type of music was "somewhere in between" pop and "hardcore rock", but that she did non know how to explain it. Co-ordinate to her, there is "a lot of dissimilar music" on Metamorphosis that she finds difficult to categorise.[11] The music on the album is "a niggling different" from her previous music because, co-ordinate to her, the album "has all the kinds of music I similar to listen to". She said that in that location are many "different sounds" on the album, such every bit rock and electronic, and "a whole range" of tempos, including "deep, slow" tracks and "high-energy" songs to provide her with a "boost". According to Duff, anybody experiences varied feelings and moods, and they can "feel a flake better" by playing their favorite song.[9]
Rolling Stone magazine described the album as "a slick collection of pop songs, main-crafted to appeal to huge numbers of young people".[12] Duff told the Chicago Sun-Times in 2005 she was under the command of the record characterization during the making of Metamorphosis and her second album, Hilary Duff (2004), and could not incorporate the audio she wanted into her recordings. She said the product "[had] been mastered and sounds actually pretty ... If I could change information technology, I would, and it would sound [less pop]. My proper name is Hilary Duff, and I don't know why I don't get to make Hilary Duff music."[13] In spite of the release of Santa Claus Lane, Metamorphosis is considered Duff'due south "proper" debut album.[12] [14]
Duff said the album represented "kind of a alter" because it was "kind of dissimilar" from annihilation she had previously done;[fifteen] as she put it, "Nosotros chosen the album Metamorphosis because it'southward about changes that everybody experiences".[16] Duff chosen change "a very important and natural affair", saying that the album was a good style to introduce everyone to "the real me" because, in her words, "Everyone evolves and changes".[9] She said she was "excited" about Metamorphosis because information technology represented her rather than characters she played: "It's more than personal than acting", she said;[eight] however, she said that the anthology was "not simply about me".[xvi] Duff said she believed her music provided a way for people to become to disassociate her from her Lizzie McGuire persona, a goal she said was "and so important to me".[11] [17] She described it equally "definitely stuff that everybody my historic period can relate to".[17] She characterized the recording procedure as "absurd" considering the songs are strongly related to her personal life.[eight]
The anthology opens with its atomic number 82 unmarried "And so Yesterday," that according to Duff is an empowering vocal virtually breaking up with someone and getting over information technology.[5] The song, that incorporates elements of pop and rock music, was cited as having influences of Avril Lavigne.[18] The second song on the anthology, and second single, "Come Clean" documents a relationship betwixt a male child and a daughter who feel they are "in the dark" about each other; in Duff's words: "they're coming make clean, whether it means they're gonna exist together or non."[seven] "Picayune Vox," a cover of the 2000 single "The Little Voice" by Swedish recording artist Sahlene, is the album's 3rd unmarried. The song speaks of having a conversation with ones conscience.[nineteen] "Sweet 16" is a song past Haylie Duff described every bit being "a really fun song that totally relates to [her] life correct now."[9] The album'southward championship track "Metamorphosis" is a song near "getting over a boy." Duff insisted the vocal was not well-nigh fellow vocaliser and ex-boyfriend Aaron Carter, with whom she was rumored to have broken up after a fight.[8] "Inner Forcefulness," some other contribution of Haylie Duff, is described past as "very empowering and uplifting" and "really beautiful".[9] The final song on the anthology, "Why Not," was previously released on the soundtrack for The Lizzie McGuire Movie, a film in which Duff starred.
Release and promotion [edit]
Metamorphosis was released in Northward America on August 26, 2003. Its CD+DVD palatial editions were released in Nippon and Australia in 2004. During the menstruation in which Metamorphosis was released, Duff was participating in many projects in film, brand licensing, music and tv set; USA Today wrote in July 2003 that she was emerging as "The Next Big Thing" and "a marketing powerhouse" with nine to twelve year-olds, and Billboard mag said that she "is looking to become more than than but the nation'due south next teen pop princess. She wants to go a brand-proper noun phenomenon ... [Metamorphosis] is just the beginning."[xx] These projects included the loftier-profile Hollywood films Cheaper by the Dozen (2003) and A Cinderella Story (2004), a clothing and accessories line called Stuff by Hilary Duff, a Lizzie McGuire merchandise line, and a Visa prepaid credit card for children aged 6 to 13.[21] She too participated in a marketing entrada for the Hasbro personal video player VideoNow, for which she filmed the video A Day in the Life of Hilary Duff, which included a behind-the-scenes look at the making of the "Why Non" music video. Amusement lawyer Larry Golring called it "a great cross-promotion" for VideoNow and Duff's music career, which he said were "two new brands that are going to be huge this time adjacent year, and they hopefully will have helped each other get there".[22] The Associated Press quoted Bob Cavallo, the chairman of Buena Vista Music Group, as saying that "At this point, she's evidently already a franchise".[17]
Marketing people such as Laura Groppe, president of Girls Intelligence Agency, said that the timing of the release of Metamorphosis and other Duff-related products was correct because there had been a lack of teen idols since Britney Spears, and that Duff "[is] not too pretty. Not too sparse. Not too annihilation ... similar a little Million Ryan."[21] According to Marketing Evaluations/TvQ, Duff was, in July 2003, the female person star most popular with kids aged between six and eleven.[21] Amy Doyle, at MTV'southward vice president of music programming, said Duff was "definitely one of the hot people to watch ... She'south go the fabric of pop culture with teens right now."[eight] There was business from some, nevertheless, that Duff could become overexposed, although Duff's manager emphasised his selectiveness against "[i]f something looks cheesy", and that Duff "doesn't want to be all over TV commercials".[21] Others, such as Robert Thorne, the CEO of the Olsen twins' Dualstar Entertainment, said that Duff should have stayed with The Walt Disney Company — from which she separated afterwards contract negotiations broke downward — to build the Lizzie McGuire franchise and use information technology to aid develop her career into adulthood.[23] In spite of this split, the contour of Duff and the album was supported by the DVD release of The Lizzie McGuire Movie and reruns of Lizzie McGuire episodes on the Disney Channel for two seasons. Duff herself said that Lizzie McGuire was "a corking place to begin my career", but said that "it's exciting to exit on my own" with Metamorphosis.[20]
Before the release of the anthology, and get-go in July 2003, Duff and Metamorphosis were given substantial promotional support from MTV, which highlighted "So Yesterday" on Making the Video and Full Request Live; Duff co-hosted the special TRL's All-Star Backyard BBQ.[24] "So Yesterday" was released to U.S. Top 40 radio in mid-July, after which it became the "nigh added" song on the format.[25] On the cyberspace AOL Music had a marketing human relationship with Duff and Metamorphosis: it hosted the premiere of "And so Yesterday" and recording a Sessions@AOL broadcast with her, amongst other content exclusive to AOL members.[26] In belatedly September The WB Idiot box Network aired an hour-long Hilary Duff birthday special, and MTV aired an episode of the documentary series Diary that followed Duff through a day.[16] A DVD containing music videos, performance and backside-the-scenes footage and bonus features, Hilary Duff: All Access Laissez passer, was released in November.[27]
Duff embarked on a four-week concert bout in the U.S. from Nov to early December 2003.[28] The vocal "Anywhere But Here" was included on the soundtrack of the moving picture A Cinderella Story; Duff promoted the movie and Metamorphosis with a series of television appearances in July 2004, including 1 on ABC's Expert Morning America.[29] She performed earlier roughly 7,000 people, breaking a Good Morning America audience tape. In the aforementioned period she embarked on a U.S. summer tour, during which she performed a one-hr set that included Metamorphosis tracks, covers of The Go-Get's' "Our Lips Are Sealed" and The Who's "My Generation", and previously unheard textile from Hilary Duff. Haylie Duff was the opening human activity on the tour, which ran for xxx-vi dates and sold well in major arenas ; Pollstar editor-in-chief said that there was "a real positive buzz about ticket sales for Hilary's show".[31] The bout was involved with the charity Kids with a Crusade, of which Duff was a charter fellow member in 1999; it sponsored a "Nutrient for a Friend" drive and encouraged attendees to bring canned food to each tour venue, where the cans were collected and distributed across shelters in each city through which Duff toured. Past early on August 2004, enough food had been amassed to feed more than than 12,000 children.[31] The success of the bout was credited with helping continue the teen popular market place alive in the bout circuit,[32] and for beingness ane of the "bright spots" in a slow concert season.[33]
Singles [edit]
"And so Yesterday" was released as the atomic number 82 single from the album on July 29, 2003.[34] [35] The song, written by Lauren Christy, Scott Spock, Graham Edwards and Charlie Midnight, was produced by product team The Matrix, who were notable at the time for their work with Avril Lavigne. Thus, some similarities arose between the song and the work of Lavigne.[36] "So Yesterday" debuted on the Billboard Hot 100 chart at number 50-three in the thirty-third calendar week of 2003, and peaked at number forty-2 in its eleventh week.[37] It spent twenty weeks on the Hot 100.[37] The song topped the US Billboard Hot 100 Singles Sales chart, making Duff the first artist in iv months not affiliated with American Idol, to superlative the chart.[37] The song peaked at number 2 in Canadian Singles Nautical chart.[38] In Australia the song debuted at number thirty-ix, peaked at number eight in its eighth week, and remained on the chart for twenty weeks. It was the forty-ninth best selling single of 2003 in Commonwealth of australia,[39] and was certified platinum in 2004.[twoscore] In Japan, the song reached number 199 on the Oricon weekly charts.[41] In United kingdom of great britain and northern ireland, the song debuted at number nine on the UK Singles Chart.[42] The song peaked in the pinnacle ten on the charts in other European countries such as kingdom of the netherlands and France.[43] The Chris Applebaum-directed music video for the song premiered on MTV on July 24, 2003.[44] It was later on featured on MTV's Making the Video two days subsequently the video's premiere on July 26, 2003.[45] The video shows Duff playing a break-up prank on her aloof young man.
"Come Clean" was released every bit the second unmarried from the album on January 13, 2004. Duff described the song every bit existence "plain about a boy and a daughter'southward human relationship and information technology'south only talking virtually how somebody thinks they're in the dark."[7] "She's tired of it and he'south tired of it and they're coming clean, whether information technology means they're gonna exist together or not. They're laying all the cards out on the table and coming out with everything that hasn't been said basically.", she said.[vii] Duff cited the song as her favorite on Metamorphosis, proverb it is "a little more mellow" than her previous single, "Then Yesterday", "but information technology's not really pop. Information technology sounds sort of like techno, just information technology'southward boring. It'southward really cool."[46] The song peaked at number thirty v, condign Duff's starting time meridian forty unmarried in the US and also her highest charting single at the time. Nevertheless, the song failed to friction match the success of its predecessor "So Yesterday" in many other countries. It reached a superlative of number seventeen in Australia and eighteen in the UK, while charting within elevation 20 in Canada, Netherlands, Ireland and New Zealand. The accompanying music video, directed by Dave Meyers,[47] premiered on MTV'south Total Request Live on January 14, 2004. The video showed Duff inside a house on a rainy day, waiting for her love interest. The video was nominated for Best Pop Video at the 2004 MTV Video Music Awards.
"Footling Voice" was released equally the third and final single from the anthology on June 15, 2004, only in Australia.[48] The vocal is a re-brand of the 2000 song "The Petty Voice" by Swedish recording creative person Sahlene, written by Kara DioGuardi and Patrik Berger. The new version by Duff featured slightly dissimilar lyrics and was produced by Chico Bennett and DioGuardi. The song peaked at number twenty-nine in Australia.[49] The music video for the song was taken from The Girl Can Rock Tour DVD.
Disquisitional reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [fifty] |
| Chicago Tribune | (mixed)[51] |
| IGN | (half dozen.3/x)[52] |
| Rolling Stone | [53] |
| Slant Magazine |  [54] |
| UKMIX | [55] |
| USA Today | [56] |
Bob Cavallo said he expected the anthology to sell "a couple of million [copies] ... [i]f the pixie dust flies the right way".[21] Stephen Thomas Erlewine of AllMusic wrote the album, "is what teen pop should sound like in 2003... a very good modern bubblegum album"; he said that information technology was influenced by Avril Lavigne but that Duff "has a sweeter, more appealing voice than Avril, and the rest of the record follows her cheerful charisma, resulting in a charmingly effervescent listen".[50] However, Slant mag said that Duff "has decided to ride the Avril wave" and noted that, like Lavigne, Duff enlisted The Matrix to produce and write some of the tracks.[54] Blender magazine chosen information technology "a masterfully executed tour through contempo mall-pop, '80s new-moving ridge bubblegum and girl-power affirmations".[57] Usa Today named it the tenth worst pop album of 2003, writing "Annotation to all young, modestly talented singers: Stay in school and you won't current of air up on worst-of lists before you lot're old enough to vote."[58]
Metamorphosis was nominated at the Juno Awards of 2004 for International Album of the Year, merely lost to fifty Cent'due south Get Rich or Dice Tryin'.[59] Duff won in the Best New Artist category at the 2004 Globe Music Awards and Best Female person Artist at the Kids Choice Awards, on top of that "Come Clean" was nominated for a MTV Video Music Award for Best Pop Video. Duff likewise won a TMF honor for the "Fake ID Laurels" category.
Commercial performance [edit]
The album debuted at number two on the U.S. Billboard 200 (behind Mary J. Blige's Love & Life) with 203,000 copies sold in its kickoff week of release;[sixty] at the time, it was the highest opening week sales figure for a debut album by a female person creative person in 2003.[61] Despite a xxx% sales drop in its 2d calendar week, during which information technology sold 131,000 copies, Metamorphosis peaked at number ane on the nautical chart for that week.[62] It was certified platinum by the RIAA in three months, and two times platinum by the end of the year. In late November/early December, after Duff had appeared at the Macy'southward Thanksgiving Solar day Parade and sneak previews of the film Cheaper by the Dozen were held in select cities, Metamorphosis returned to the top 5 on the albums nautical chart with a 132% sales increment over the previous calendar week with 224,000 copies.[63] In the Christmas shopping week, when the anthology was at number half dozen on the Billboard 200, it sold 275,000 copies.[64] It was the eighth best selling album of 2003 according to Nielsen SoundScan, selling ii.6 million copies,[65] and information technology was certified three times platinum in Jan 2004. Past the September 2004 release of Duff'southward tertiary album, Hilary Duff, the anthology had sold 3.4 million copies in the United States.[66] In August 2005, the release calendar month of Duff's compilation anthology, Almost Wanted (in which several Metamorphosis tracks are featured), the album re-entered the Billboard 200.[67]
Metamorphosis was credited with helping to significantly raise the industry and corporate profile and marketplace presence of Hollywood Records, which Geoff Mayfield, charts director and senior analyst for Billboard magazine, said "[have] had some top albums before with the Tarzan film soundtrack in 2000, but not like this Hilary Duff album".[68] The San Fernando Valley Business Periodical wrote that the album was "giving Hollywood Records a needed shot in the arm" later on a decline in CD sales during the previous two years had forced the characterization to reduce costs and alter its operation. Hilliard Lyons annotator Jeffrey Thomison cited Metamorphosis equally a reflection of Disney's ability to develop "great synergy betwixt their cable, film and music segments", particularly after The Lizzie McGuire Moving-picture show indicated that Duff'due south television fanbase could be migrated to film[68] — Geoff Mayfield said on the subject, "All things being equal, if this album were washed past anybody else, information technology would not exist a hit".[68] Metamorphosis made Duff the first "breakout creative person" for Hollywood Records in its ten-year history, and its success coincided with that of albums past other artists on the label, such every bit Rascal Flatts and Josh Kelley, and of soundtracks for films such as The Chetah Girls, Freaky Friday and The Lizzie McGuire Movie.[68] Later, partly as a upshot of Metamorphosis, Hollywood Records used the Disney Channel to launch brands such every bit High Schoolhouse Musical and Hannah Montana, and artists such equally Aly & AJ, The Chetah Girls, Hannah Montana star Miley Cyrus, Raven-Symoné, Vanessa Hudgens and Jesse McCartney.[69]
Blender magazine wrote that the success of the anthology consolidated Duff'due south status equally a "tween icon",[lxx] and estimated that it had earned her United states of america$5,000,000.[57] Moreover, sales of Metamorphosis indicated that Duff'south popularity with teenagers was rising — 70% of buyers were aged between thirteen and 20-two, compared to the soundtrack for The Lizzie McGuire Picture show, 70% of the buyers of which were below the age of thirteen.[68] Bob Cavallo attributed the anthology'southward success to Duff's amassing of fans of the singers and former Disney "Mouseketeers" Britney Spears and Christina Aguilera.[68] In Canada, the album reached the top spot in its first calendar week of release. It was certified platinum four months after its release for sales of 100,000, and in December 2004 it was certified quadruple platinum for sales exceeding 500,000 copies.[71] In Australia, the album sold well and was certified platinum for sales of 70,000; it was number seventy-four on the ARIA year-cease chart.[72] Metamorphosis debuted at number twenty-six in French republic, and peaked at number twenty-2 a week later, remaining on the chart for thirty-nine weeks.[73] Past tardily 2005, the album had sold approximately v million copies worldwide. As of July 27, 2014, the album had sold three,961,000 million copies in the Usa and more than v million copies worldwide. It became her all-time selling anthology to date.[74]
Rail listing [edit]
Credits adapted from the liner notes[75]
| No. | Title | Author(s) | Producer(south) | Length |
|---|---|---|---|---|
| 1. | "So Yesterday" |
| The Matrix | 3:35 |
| 2. | "Come Clean" |
| Shanks | 3:34 |
| iii. | "Workin' It Out" |
|
| three:xv |
| 4. | "Little Vocalization" |
|
| 3:03 |
| 5. | "Where Did I Go Right?" |
| The Matrix | 3:51 |
| 6. | "Anywhere But Hither" |
| Bennett | 3:32 |
| vii. | "The Math" |
| The Matrix | 3:nineteen |
| 8. | "Beloved Just Is" |
|
| 4:02 |
| nine. | "Sweetness 16" |
|
| 3:07 |
| ten. | "Party Upward" |
| Brooks | 3:51 |
| xi. | "Metamorphosis" |
|
| 3:28 |
| 12. | "Inner Forcefulness" | Haylie Duff |
| 1:34 |
| xiii. | "Why Not" (bonus track) |
| Gerrard | ii:59 |
| Total length: | 43:07 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 14. | "Girl Can Rock" |
|
| iii:x |
| Full length: | 46:17 | |||
| No. | Title | Writer(s) | Producer(southward) | Length |
|---|---|---|---|---|
| 14. | "A Mean solar day in the Sun" |
| Gerrard | 3:24 |
| Total length: | 46:31 | |||
| No. | Title | Director(s) | Length |
|---|---|---|---|
| 1. | "So Yesterday" | Chris Applebaum | |
| ii. | "Why Not" | Elliott Lester | |
| three. | "Come Clean" | Dave Meyers | |
| iv. | "Anywhere Simply Hither" |
| No. | Title | Writer(southward) | Producer(south) | Length |
|---|---|---|---|---|
| 14. | "A Mean solar day in the Sun" |
| Gerrard | 3:24 |
| fifteen. | "Daughter Can Stone" |
|
| 3:10 |
| Total length: | 49:41 | |||
| No. | Championship | Length |
|---|---|---|
| 16. | "Then Yesterday" (Thunderpuss Remix) | four:17 |
| 17. | "Come Clean" (Radio Mix) | 3:25 |
| Full length: | 57:23 | |
| No. | Title | Length |
|---|---|---|
| one. | "So Yesterday" | |
| two. | "Why Not" | |
| 3. | "I Tin can't Look" | |
| iv. | "Acoustic Vocal Performances from Sessions@AOL" | |
| five. | "Making of 'Then Yesterday', The Video" | |
| 6. | "Making of 'Why Non', The Video" | |
| seven. | "Making of Sessions@AOL" | |
| 8. | "Making of Metamorphosis, The Album" | |
| 9. | "In the Recording Studio: 'Anywhere Merely Hither', 'Honey Just Is'" | |
| 10. | "Hilary Duff Photo Gallery and Dwelling Movies" | |
| 11. | "Biography" | |
| 12. | "Making of 'Japan Promotion Tour'" | |
| xiii. | "Hilary Duff EPK" (Japan version) | |
| 14. | "Metamorphosis TV-CM 15sec" (Japan version) | |
| 15. | "Metamorphosis Boob tube-CM 30sec" (Nippon version) | |
| xvi. | "Metamorphosis Television-CM 15sec Version 2" (Nihon version) |
Metamorphosis Remixes [edit]
| Metamorphosis Remixes | ||||
|---|---|---|---|---|
| EP by Hilary Duff | ||||
| Released | November 18, 2003 (2003-11-18) | |||
| Recorded | 2003 | |||
| Genre |
| |||
| Length | 13:21 | |||
| Label |
| |||
| Producer |
| |||
| Hilary Duff EPs chronology | ||||
| ||||
Metamorphosis Remixes is a four-rail extended play (EP) that was released on November 18, 2003 exclusively to Kmart retailers. It included remixes of three tracks from Duff'south album Metamorphosis, as well as the album version of track "Sweet Sixteen".[77]
Runway listing [edit]
| No. | Title | Writer(southward) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "So Yesterday" (remix) |
|
| iii:41 |
| 2. | "Party Up" (remix) |
|
| 3:43 |
| 3. | "Why Not" (remix) (from The Lizzie McGuire Picture soundtrack) |
|
| 2:53 |
| iv. | "Sugariness Sixteen" (anthology version) |
|
| 3:07 |
| Total length: | xiii:21 | |||
Notes [78]
- Track listing and credits from anthology booklet.
- The asterisk (*) denotes remix and additional production.
Credits and personnel [edit]
Credits for Metamorphosis adjusted from Allmusic.[79]
|
|
Metamorphosis Remixes personnel [edit]
Credits for Metamorphosis Remixes adapted from liner notes.[78]
|
|
Charts [edit]
Certifications [edit]
Release history [edit]
References [edit]
- ^ Recording information for Metamorphosis:
- Duff, Hilary. "LA". HilaryDuff.com. January 27, 2003. Retrieved August 26, 2013. "I finished recording my next unmarried called "Why not" and information technology will be in the Lizzie movie. I'm working with my song motorbus every 24-hour interval and we're getting ready to record my album."
- Duff, Hilary. "LA". HilaryDuff.com. June viii, 2003. Retrieved Baronial 26, 2013. "On Friday I finished the recording for my album and I tin can't wait for you guys to hear it."
- ^ a b c d e f g h i j k l thou due north o p q r s t u v westward x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar Menze, Jill (August 23, 2013). "Oral History: The Making of Hilary Duff's 'Metamorphosis'". Archived from the original on August 24, 2013. Retrieved August 24, 2013.
- ^ Inc, Nielsen Business Media (January 31, 2004). Billboard. Nielsen Business Media, Inc.
- ^ Lynch, Joe. "Solo Artists Who Scored a No. one Album Earlier Turning xviii". Billboard . Retrieved May 23, 2021.
- ^ a b c d Hiatt, Brian. "Duff Enough". Amusement Weekly. August fifteen, 2003.
- ^ a b c d e f Rosen, Craig. "Hilary Duff: A Performer'due south Metamorphosis" Archived September 29, 2007, at the Wayback Machine. Billboard. Jan 26, 2004.
- ^ a b c d "Hilary Duff comes make clean" Archived November xxx, 2012, at the Wayback Machine. News Times. January 21, 2005.
- ^ a b c d eastward Bryson, Jodi. "Life after Lizzie – Hangin With – Hilary Duff" . Girls' Life. August–September 2003.
- ^ a b c d due east f "Hilary Duff Biography" Archived March iii, 2016, at the Wayback Machine. hilaryduff.com via sing365.com.
- ^ "Meredith Brooks interview-interview with vocalist-songwriter Meredith Brooks on A&R". Mixonline.com. May 1, 2004. Archived from the original on September nineteen, 2012. Retrieved August 5, 2011.
- ^ a b Downey, Ryan. J. "Hilary Duff: Non Only for Kids" Archived April 30, 2008, at the Wayback Machine. MTV.com. June 2, 2003.
- ^ a b "Internet Archive Wayback Motorcar". February 15, 2009. Archived from the original on February fifteen, 2009. Retrieved August five, 2011.
- ^ "Internet Annal Wayback Machine". October fifteen, 2007. Archived from the original on October 15, 2007. Retrieved August v, 2011.
- ^ Jeckell, Barry A. "Duff's 'Most Wanted' To Avowal New Songs". Billboard. June xiv, 2005.
- ^ Lin, Lynda. "Hilary Duff: A Teenage Sensation". themovieinsider.com. March xx, 2003.
- ^ a b c "Hilary Duff's Album, 'Metamorphosis', Ready to Soar August 26; No. 1 Selling Single, 'So Yesterday', a Radio, Retail & Video Boom" . Business Wire. August 25, 2003.
- ^ a b c Moody, Nekesa Mumbi. "Duff moves away from 'Lizzie' prototype" . Associated Press via Deseret News. Baronial 1, 2003.
- ^ "Metamorphosis > Hilary Duff > Allmusic". Allmusic. Retrieved November 14, 2010.
- ^ Rettenmund, Matthew (July 2005). Hilary Duff: All Access . Berkley Trade. ISBN0-425-20519-3.
- ^ a b Traiman, Steve. "Hilary Duff Plots Album, Trade Bonanza". Billboard. June 27, 2003.
- ^ a b c d due east Horovitz, Bruce. "Merely can't become enough of Duff". USA Today. July 15, 2003.
- ^ "Hilary Duff thinks large and small" [ dead link ] . The Hollywood Reporter. May two, 2003.
- ^ Weiner, Allison Hope. "Lizzie Tizzy". Entertainment Weekly. June xiii, 2003.
- ^ "MTV Premieres Hilary Duff'south New Music Video; Offset Single, "So Yesterday", Goes to Radio on July 15" . Business organization Wire. July 14, 2003. [ dead link ]
- ^ "Hilary Duff'due south Starting time Top xl Unmarried "So Yesterday" Available at Retail on July 29; MTV Adds Video to Playlist This Week" . Business Wire. July 29, 2003.
- ^ "Teen Queen Hilary Duff Goes Pop / Rock with Starting time Ever Music Performance But on America Online; Versatile Actress, Recording Star Makes Music Operation Debut on Sessions@AOL" . Business Wire. August 13, 2003.
- ^ "Hilary Duff Invites Fans Backside the Scenes with "All Admission Pass" Music DVD; Must-Accept Holiday Gift Item Hits Stores November 4". Concern Wire. October 28, 2003.
- ^ Waddell, Ray. "Billboard Bits: Jackson/Buffett, Hilary Duff, Summer". Billboard. September 9, 2003.
- ^ Jeckell, Barry A. "'Cinderella' Set Boasts New Duff Songs" Archived September 29, 2007, at the Wayback Machine. Billboard. May three, 2004.
- ^ a b Harrington, Jim. "'Tween queen". Oakland Tribune. Baronial thirteen, 2004.
- ^ Jones, Steve. "Britney'due south tour a big draw in a crowded field". USA Today. April 8, 2004.
- ^ Jones, Steve. "Concerts singing pitiful song over ticket sales". USA Today. July 14, 2004.
- ^ "Hilary Duff — So Yesterday (CD)". Allmusic. Rovi Corporation. Retrieved December iv, 2010.
- ^ "Hilary Duff — So Yesterday (CD)". Allmusic. Rovi Corporation. Retrieved Dec 4, 2010.
- ^ Hilary Duff — So Yesterday. Billboard. Prometheus Global Media. July 19, 2003. Retrieved November xiv, 2010.
- ^ a b c "Hilary Duff Chart History". Billboard. Prometheus Global Media. Retrieved December 4, 2010.
- ^ "Metamorphosis > Hilary Duff > Charts". Allmusic. Retrieved November 14, 2010.
- ^ "ARIA Charts — Finish of Year Charts — Top 100 Singles 2003". Australian Recording Industry Association. Archived from the original on Jan 23, 2012. Retrieved November 14, 2010.
- ^ "ARIA Charts — Accreditations – 2004 Singles". Australian Recording Industry Association. Archived from the original on Jan 25, 2012. Retrieved November 14, 2010.
- ^ "ヒラリー・ダフのCDシングルランキング、ヒラリー・ダフのプロフィールならオリコン芸能人事典-ORICON Way" (in Japanese). Oricon. Retrieved November 14, 2010.
- ^ "Hilary Duff — So Yesterday". Official Charts Company. Retrieved December two, 2010.
- ^ "Hilary Duff — So Yesterday" (in German). dutchcharts.nl. Archived from the original on July 16, 2012. Retrieved December 2, 2010.
- ^ "And then Yesterday – Hilary Duff – Music Video". MTV. MTV Networks (Viacom). Retrieved December v, 2010.
- ^ "Hilary Duff'due south Album, 'Metamorphosis,' Ready to Soar August 26; No. ane Selling Single, 'So Yesterday,' a Radio, Retail & Video Smash". Business Wire. HighBeam Research. Retrieved November 14, 2010. [ dead link ]
- ^ Moss, Corey. "Hilary Duff Plans Break From Movies". MTV News. September 8, 2003.
- ^ D'Angelo, Joe and Moss, Corey. "Hilary Duff To 'Come up Clean' To Fans In Adjacent Prune". MTV News. November 24, 2003.
- ^ "Petty Vocalisation, Pt. 1 [CD-SINGLE] [IMPORT]". Amazon.com. Retrieved July 14, 2007.
- ^ a b "Hilary Duff – Little Voice". aCharts.the states.
- ^ a b Erlewine, Stephen Thomas. "Metamorphosis — Hilary Duff". AllMusic. Rovi Corporation. Retrieved November 12, 2009.
- ^ Stewart, Allison (Oct 12, 2003). "Hilary Duff Metamorphosis (Buena Vista)". Retrieved Feb 24, 2013.
- ^ Spence D. (August xvi, 2005). "Hilary Duff — Metamorphosis". Retrieved February 24, 2013.
- ^ Caramanica, Jon (August 27, 2003). "Hilary Duff: Metamorphosis". Rolling Rock . Retrieved November 12, 2009.
- ^ a b Cinquemani, Sal (August xxx, 2003). "Hilary Duff: Metamorphosis". Slant Magazine . Retrieved November 12, 2009.
- ^ Twixy (November 3, 2003). "Reviews — Hilary Duff — Metamorphosis". UKMIX. Archived from the original on June 15, 2011. Retrieved Feb 24, 2013.
- ^ Jones, Steve; Gardner, Elysa; Gundersen, Edna; Mansfield, Brian (August 25, 2003). "Neville sets high 'Standards'; Duff is full of fluff". USA Today. Gannett Co. Inc. Retrieved Nov 12, 2009.
- ^ a b Duerden, Nick. "The Golden Girl". Blender. October 2004. Archived September 30, 2007, at the Wayback Machine
- ^ Gardner, Elysa. "'Chicago' had razzle-dazzle to spare; Stewart had little". USA Today. December 31, 2003.
- ^ "Internet Archive Wayback Machine". May 19, 2006. Archived from the original on May xix, 2006. Retrieved Baronial five, 2011.
- ^ Martens, Todd. "'Love & Life' Puts Blige Back On Meridian". Billboard. September iii, 2003.
- ^ "Hilary Duff's New Album Debuts with More Than 200K in First Week Sales; Solo Debut Marks Her Metamorphosis Into a Popular Music Star". Business Wire. September 5, 2003.
- ^ Martens, Todd. "Duff Debut Tops Album Nautical chart". Billboard. September ten, 2003.
- ^ Martens, Todd. "Jay-Z Back Atop The Billboard 200". Billboard. December 3, 2003.
- ^ Carpenter, Troy. "Alicia's 'Diary' Nabs Xmas Week No. ane". Billboard. Dec 24, 2003.
- ^ "Nielsen SoundScan and Nielsen BDS 2003 Twelvemonth End Music Industry Report". Concern Wire. Dec 31, 2003.
- ^ Whitmire, Margo. "Rascal Flatts 'Feels Like' No. 1". Billboard. October 6, 2004.
- ^ Harris, Chris. "Staind Score Third Straight Billboard Win With Chapter V". MTV News. August 17, 2005.
- ^ a b c d east f Martinez, Carlos. "Hollywood Records turns up volume amongst downturn.". San Fernando Valley Business organisation Journal. September 29, 2003.
- ^ Chmielewski, Dawn C. "A Cinderella story for Disney Music Group". Los Angeles Times. July ix, 2007.
- ^ "The Blender 100 – 26 Hilary and Haylie Duff" Archived Dec 16, 2008, at the Wayback Machine. Blender. August 2004.
- ^ "Aureate & Platinum Certification – Audio Certifications" Archived April 7, 2012, at the Wayback Auto. December 2004. CRIA.
- ^ In Argentine republic sold 150,000 copies go Platinum ."ARIA Charts – End Of Twelvemonth Charts – Top 100 Albums 2003" Archived February 23, 2009, at the Wayback Machine. ARIA.
- ^ "Hilary Duff – Metamorphosis (album)". lescharts.com.
- ^ "Ask Billboard: How Has Enrique Iglesias' 'Bailando' Become Such A Big Striking?". Billboard. July 27, 2014. Retrieved July 27, 2014.
- ^ Metamorphosis (booklet). Hilary Duff. Buena Vista/Hollywood. 2003. 61006-seven.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Metamorphosis (album booklet). Hilary Duff. Buena Vista Records/Hollywood Records. 2003. 61018-7.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Metamorphosis Remixes — Hilary Duff : Releases". AllMusic. Retrieved June 5, 2012.
- ^ a b Metamorphosis Remixes (Booklet). Hilary Duff. Burbank, California: Hollywood Records, a partitioning of The Walt Disney Company. 2003.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Metamorphosis – Credits". Allmusic. Rovi Corporation. August 26, 2003. Retrieved August 5, 2011.
- ^ "Australiancharts.com – Hilary Duff – Metamorphosis". Hung Medien. Retrieved November 29, 2016.
- ^ "Ultratop.be – Hilary Duff – Metamorphosis" (in Dutch). Hung Medien. Retrieved November 29, 2016.
- ^ "Ultratop.be – Hilary Duff – Metamorphosis" (in French). Hung Medien. Retrieved November 29, 2016.
- ^ "Hilary Duff Chart History (Canadian Albums)". Billboard. Retrieved November 29, 2016.
- ^ "Dutchcharts.nl – Hilary Duff – Metamorphosis" (in Dutch). Hung Medien. Retrieved November 29, 2016.
- ^ "Lescharts.com – Hilary Duff – Metamorphosis". Hung Medien. Retrieved November 29, 2016.
- ^ "Oricon Top l Albums: 2003" (in Japanese). Oricon.
- ^ "Charts.nz – Hilary Duff – Metamorphosis". Hung Medien. Retrieved November 29, 2016.
- ^ "Hilary Duff | Artist | Official Charts". Uk Albums Chart. Retrieved November 29, 2016.
- ^ "Hilary Duff Chart History (Billboard 200)". Billboard. Retrieved November 29, 2016.
- ^ "Hilary Duff Chart History (Meridian Itemize Albums)". Billboard. Retrieved February 21, 2018.
- ^ "ARIA Charts — End of Yr Charts — Top 100 Albums 2003". Aria.com.au. Archived from the original on February 23, 2009. Retrieved August 5, 2011.
- ^ "Top Billboard 200 Albums – Year-End 2003". Billboard . Retrieved October 19, 2020.
- ^ "ARIA Top 100 Albums for 2004". Australian Recording Industry Association. Retrieved Oct nineteen, 2020.
- ^ "Jaaroverzichten 2004". Ultratop. Retrieved October xix, 2020.
- ^ "Jaaroverzichten – Anthology 2004". dutchcharts.nl . Retrieved October 19, 2020.
- ^ "Top Billboard 200 Albums – Year-End 2004". Billboard . Retrieved October 19, 2020.
- ^ "Music Albums, Summit 200 Albums & Music Album Charts". Billboard.com. 2009. Retrieved Baronial 5, 2011.
- ^ "Argentinian album certifications – Hilary Duff – Metamorphosis". Argentine Chamber of Phonograms and Videograms Producers.
- ^ "ARIA Charts – Accreditations – 2003 Albums" (PDF). Australian Recording Industry Association.
- ^ "Canadian album certifications – Hilary Duff – Metamorphosis". Music Canada.
- ^ "Japanese anthology certifications – Hilary Duff – Metamorphosis" (in Japanese). Recording Manufacture Association of Japan. Select 2003年12月 on the drop-downwards carte du jour
- ^ "Certificaciones" (in Castilian). Asociación Mexicana de Productores de Fonogramas y Videogramas. Type Hilary Duff in the box under the ARTISTA column heading and Metamorphosis in the box under the TÍTULO column heading.
- ^ "American album certifications – Hilary Duff – Metamorphosis". Recording Industry Association of America.
- ^ "Metamorphosis" – via Amazon.
- ^ "Metamorphosis" – via Amazon.
- ^ "The ARIA Report: Issue 710" (PDF). Trove. Archived from the original (PDF) on February 22, 2008.
- ^ "Metamorphosis [Regular Edition] Hilary Duff CD Album". CDJapan.
- ^ "Metamorphosis" – via Amazon.
- ^ "Metamorphosis Palatial Edition [due west/ DVD, Limited Edition] Hilary Duff CD Album". CDJapan.
- ^ "Metamorphosis [Limited Release] Hilary Duff CD Album". CDJapan.
- ^ "Hilary Duff - Metamorphosis (Crystal Clear Vinyl) (Limited Edition)". Walmart.com.
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